Showing posts with label Lars Von Trier. Show all posts
Showing posts with label Lars Von Trier. Show all posts

Saturday, May 21, 2011

Inferno

El diablo (entre Lexatín y Lexatín (sí, la obsesión con La Joven Dolores no flaquea)) se dedica, aparentemente, a dirigir las distribuidoras de cine en España. Doña Sinde debería preocuparse menos de la gente que se baja películas el día de su estreno en cines, porque esa gente va a seguir bajándose películas pase lo que pase, y debería preocuparse un poco más por la gente que baja películas que son imposibles de ver de una manera legal. Y no estoy hablando solamente de cine "pequeño" como J'ai Tué Ma Mère o Les Amours Imaginaires de Dolan o Smiley Face o Kaboom de Araki sino de películas nominadas al Oscar a la mejor actriz como Rabbit Hole o Blue Valentine o al mejor guión como Another Year, todas ellas aún sin fecha de estreno. Otro ejemplo muy ilustrativo es el caso de I'm not There de Todd Haynes que se estrenó en Estados Unidos el 21 de noviembre de 2007 y en España el 19 de febrero... ¡de 2010!

Por ello y a modo de modesta protesta he decidido incluir en este blog un cuadro de texto en el que aparecen las veinte películas de la Sección Oficial de Cannes de este año (¡mañana termina!) y la fecha de estreno en España, si es que algún llegan a tenerla. De momento, solamente La Piel que Habito está destinada a aparecer en nuestras pantallas. Y sí, está claro que Melancholia, The Tree of Life y muy posiblemente Drive o We Need to Talk About Kevin se estrenarán antes de marzo de 2012 pero, ¿qué va a pasar con películas como L'Apollonide o Michael? Ya veremos, pero yo no voy a aguantar la respiración...


Thursday, March 31, 2011

I Can't Wait (the 2011 edition)

2010 is already finished and done with and it is time to look ahead to see what wonders await us. Or rather, for what wonders are we willing to wait. Thanks to the all mighty Internet I compiled a list of 94 films to be released (in principle) in 2011 that I intend to see sooner or later. Out of those 94 films, I have chosen the 20 I am anticipating the most. And here they are:

20. Moonrise Kingdom


Because of: Wes Anderson, Tilda Swinton and Jason Schwartzman.
In Spite of: A likely 2012 release (that is why it's last), Frances McDormand and Edward Norton.

19. Jane Eyre


Because of: The Brontë surname, Michael Fassbender, Judi Dench, Sally Hawkins and the trailer.
In Spite of: Potential dullness?

18. My Week With Marilyn



Because of: Michelle Williams, Kenneth Branagh, Judi Dench, Eddie Redmayne and the Royal Hollywood story.
In Spite of: Potential "biopicness"?

17. The Help



Because of: Emma Stone, Viola Davis, Olive Penderghast, Allison Janney and Emma's pocketful of sunshine.
In Spite of: Smells like The Secret Life of Bees.

16. Trespass



Because of: NICOLE KIDMAN, the Nicolas Cage in Leaving Las Vegas, Adaptation, Bad Lieutenant or The Weather Man, Nicole Kidman, Cam Gigandet's pecs and Nicole Kidman.
In Spite of: Joel Schumacher, the Nicolas Cage of The Sorcerer's Apprentice, Season of the Witch or Ghost Rider.

15. X-Men First Class



Because of: January Jones, McAvoy, Fassbender, Bacon, Hoult, Lawrence, the X-Men in general, the setting in the 60s and Matthew Vaughn.
In Spite of: Rose Byrne.

14. Winnie the Pooh



Because of: Eeyore, Tigger, Piglet, Winnie, Owl, Rabbit.
In Spite of: Will it be a long episode of the TV show?

13. We Need to Talk About Kevin



Because of: Tilda Swinton, the premise.
In Spite of: I know very little about the film so I can't think of anything.

12. Friends With Benefits



Because of: Mila Kunis, Will Gluck, Justin Timberlake's pecs, Patricia Clarkson, Emma Stone, the trailer.
In Spite of: The most likely cheesy and conventional ending.

11. Bad Teacher



Because of: Cameron Diaz, the trailer, the hope of Justin Timberlake's pecs, Molly Shannon!, Lucy Punch.
In Spite of: Less likely to have a conventional ending but still plausible.

10. Immortals



Because of: Tarsem Singh, the visual side of his films, Greek Mythology, Mickey Rourke, Stephen Dorff, the abundance of pecs.
In Spite of: Freida Pinto (who nevertheless is choosing very interesting directors).

9. A Dangerous Method



Because of: Keira Knightley, Michael Fassbender, Vigo Mortensen, Vincent Cassel, psychoanalysis and I would love to say Cronenberg but I'm still a virgin in his films.
In Spite of: Cronenberg might be too tough for me?

8. Hanna



Because of: Joe Wright, Saoirse Ronan, Cate Blanchett, Olivia Williams, Eric Bana.
In Spite of: Was Joe Wright a two-tricks pony?

7. Shame



Because of: Steve McQueen, Michael Fassbender, Hunger, Carey Mulligan.
In Spite of: Totally unrelated to the film but I don't like Carey off-screen.

6. One Day



Because of: Anne Hathaway, Lone Scherfig, Jim Sturgess, Patricia Clarkson, the premise, that wonderful poster.
In Spite of: Will it deliver?

5. Contagion



Because of: Soderbergh, Marion Cotillard, Jude Law, Kate Winslet, Gwyneth Paltrow.
In Spite of: Nothing.

4. The Tree of Life



Because of: Malick's grandeur, Brad Pitt, Sean Penn, Jessica Chastain (I have never seen her in a film and I love her already), dinosaurs.
In Spite of: Malick's grandeur is sometimes too grand for me.

3. The Girl With the Dragon Tattoo



Because of: Fincher, Rooney Mara, Fincher's perfectionism, Daniel Craig, Fincher's coolness.
In Spite of: Remake, seemingly-boring novel?

2. Melancholia



Because of: LARS, Kirsten Dunst, VON, Charlotte Gainsbourg, TRIER, Alexander Skarsgard, Von Trier's madness, the premise.
In Spite of: Nothing.

1. La Piel que Habito



Because of: Pedro Almodóvar, Elena Anaya, Pedro Almodóvar, Marisa Paredes, Pedro Almodóvar, Antonio Banderas working with Pedro Almodóvar.
In Spite of: Horror films scare me.


Sunday, December 12, 2010

Una Educación

Llevo unos dos años y nueve meses recibiendo una educación que no tiene nada que envidiar a la que se pueda obtener en una universidad de la Ivy League. Y es que no hay nada comparable a vivir con un experto en arte...

El Juicio de Paris de Rubens (actualmente en El Museo del Prado)


...en música...



Florence+The Machine

...en cine...


Bailar en la Oscuridad (Dancer in the Dark de Lars Von Trier, 2000), una de las muchas películas que empecé odiando y he acabado amando por encima de lo humanamente posible.

...definitivamente, no hay nada comparable. Gracias.